Posted Thursday 04/17/2008 3:00 PM in
Articles
Filed under: Actors, Directors, Movies, Bond, Actress, Popular movies, List, Must-see, Best movies
Comedy & Buddy || Action, War, & Westerns || Rebels, Cops, & Criminals
Horror, Sci-Fi, Art House, & Mindbenders || Classics, Nudity, & Train Wrecks
ACTION
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| Batman 1989 Batman Begins 2005 Battle Royale 2000 Bourne trilogy 2002, ’04, ’07 Braveheart 1995 Clash of the Titans 1981 Die Hard 1988 Enter the Dragon 1973 Face/Off 1997 First Blood 1982 48 Hrs. 1982 Gladiator 2000 The Incredibles 2004 Kill Bill: Vol.1 & 2 2003, ’04 The Lord of the Rings trilogy 2001, ’02, ’03 Predator 1987 Raiders of the Lost Ark 1981 Speed 1994 Spider-Man 2002 |
Rocky I–IV
1976–85
Yo, Rocky won a Best Picture Oscar. But we also treasure the series for its jogs on the beach with Apollo, Mr. T’s Mohawk, and for ultimate Cold War propaganda Rocky IV.
Line, please: “No, I don’t hate Balboa. I pity the fool.”
The Matrix
1999
Keanu Reeves’ movies about machine-manipulated reality aren’t supposed to be this good, but the groundbreaking FX (see: “bullet time”) were a revelation. Those sequels? Never happened.
Rewind: The lobby shootout is possibly the three most action-packed minutes in film history.
The Road Warrior
1981
The action-overdrive sequel to cult hit Mad Max launched Mel Gibson’s career, made assless chaps a fashion must for postapocalyptic barbarians, and coined the phrase “the Ayatollah of Rock’n’Rollah.” Now that’s a movie, dammit!
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Three Must-See Action Clips |
WAR
The Bridge on the River Kwai|
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| Apocalypse Now 1979 Black Hawk Down 2001 The Dirty Dozen 1967 Gallipoli 1981 The Great Escape 1963 *M*A*S*H 1970 Platoon 1986 Saving Private Ryan 1998 |
The Deer Hunter
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Three Must-See War Clips |
WESTERNS
The Good, the Bad and the Ugly|
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Butch Cassidy and the Sundance Kid 1969 High Noon 1952 High Plains Drifter 1973 Tombstone 1993 True Grit 1969 Unforgiven 1992 The Wild Bunch 1969 |
The Searchers
1956
Director John Ford’s Monument Valley scenery would make any young man go West, though we’re not sure we’d ride along with John Wayne’s “hero,” a leather-tough cowboy who can’t decide whether to rescue his kidnapped niece from the Comanches—or kill her.
Rewind: The final view of Wayne framed by a doorway against the open desert is one of filmdom’s most iconic shots.
Jeremiah Johnson
1972
Watch for the breathtaking Utah wilderness. Watch for the arc of a mountain man finding companionship through his quest for isolation. Or watch for the shock of über-liberal Robert Redford butchering half the Crow tribe in revenge. Actually, watch for all the above.
Extra: When the historical trapper on whom Johnson is based was reburied in Wyoming, Redford attended the funeral.
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Three Must-See Western Clips |
Page 1: Comedy & Buddy | Page 2: Action, War, & Westerns | Page 3: Rebels, Cops, & Criminals
Page 4: Horror, Sci-Fi, Art House, & Mindbenders | Page 5: Classics, Nudity, & Train Wrecks