Remember when you used to get really jazzed out over movies after you went to see them? Well, kiss those days good-bye. Why? Because ever since Hollywood found out how lucrative it could be pandering to nerds, it's become its default setting. If you're not the type of person who uses Luke's call sign as your gmail username or has personally hand made your own Starfleet uniform, you're probably finding the current movie landscape just this side of unbearable. Don't get us wrong, you like a decent sci-fi, comic book, or horror movie, but we have had it with a movie's coolness, iconic impact, and cult status pre-decided, pre-marketed, and pre-sold because of it's quote, unquote "geek cred."

So here are some of the ways movies are being ruined by their desire to appeal only to geeks.

Obsession with Minutiae
You know what? When we originally went to see Star Wars and watched in awe the first time Darth Vader stepped onscreen, we thought, "What a badass!" Know what we didn't think? "Hm, I wonder what his childhood was like?" Thanks to geek culture, every backstory, tangential storyline, or tiny piece of character trivia has to be explored ad nauseum. And it's not just sci-fi or comics, either. Rob Zombie's Halloween remake was basically built around the notion that horror geeks can't wait to find out exactly how Michael Meyers got his blue jumpsuit. Everyone else? We don't care. Can't wait for the Nightmare on Elm Street remake that features a 10 minute montage of Freddy shopping for sweaters. Leave this stuff to the fanfic where it belongs.

Spoilers!
Remember when you went to a movie and didn't already know how it was going to end? Man, were we lame or what? Now, thanks to geek pandering, you can't avoid hearing every plotpoint, every twist, and every deleted or extended scene discussed, nitpicked, and debated within an inch of its life. Is it any wonder movies can barely keep their box office momentum going beyond a single weekend? By the time these things come out, even the casual viewer is sick to death of hearing about it.

 

Hype Overload
Spoilers light the fuse, and then the marketing departments make sure the rest detonates all over your face. Even if you turn off the computer and the TV and, say, settle in for a pizza and a soda you can't escape the hype machine. Not when your soda is a Limited-Edition Wolverine Super X-Treme Mutant Cola and your pizza is an Optimus Pepperoni with side of DeceptiBreadsticks. Again, the only people who collect shit like this are geeks. Who cares if the movie is even any good once it finally comes out 6 months later? And, yes, movies have almost always have marketing tie-ins, but never before have they been so aimed squarely at the hermetically-sealed world of the obsessive collector.

 

OCD Marketing
Say you've resigned yourself to the fact that you won't be surprised by trailers anymore, and you log on to check out a glimpse of that upcoming sci-fi blockbuster. Hope you've got 100 hours and endless cellphone minutes to spare, because in order to see any footage you now have to engage in an open-ended ARG scavenger hunt tailor made for the obsessive-compulsive and the unemployed. Tell you what - you take a picture of this monument at this exact hour on this exact date and e-mail it to this hidden web site and cc exactly 23 friends in order to see an exclusive pre-teaser. We'll just buy a ticket six months from now.

 

"In"-Jokes
The only thing worse than a cellphone going off during a movie is the lone, obnoxious chuckle from the guy in the back who wants to make sure everyone knows that he "gets" that the random priest character has the same last name as the comic book artist who first drew the main character or that the name of the file on the villain's computer refers to a story from a 12-issue mini-series published in the last 70s. Great. So that's the sound of one hand clapping. And it doesn't stop there—movie advertisements are aimed squarely at the people who already know what the property is, and make no effort to include anyone else. That's why Watchmen's entire pre-release campaign didn't make a single effort to let people know why they should care about this story, just that they should already care about it. Check out the most recent X-Men Origins: Wolverine TV spot:



"Agent Zero." "Emma Frost." What's that? You have no idea who Emma Frost is? You think this trailer cares? Nope. All it has to do is flash the name of some obscure character and its target audience is creaming in its WolverSlurpee. Again, everything is based on the assumption that you already know this stuff (Read: that you are a geek) and everyone else can just fuck off.

 

Remakes/Reboots
Have you noticed an inordinate amount of remakes—or "reboots," as if that's actually something different—coming out lately? It's not all due to Hollywood laziness. Geeks are the perfect audience for remakes, because they are trapped in a state of perpetual nostalgia. They so adore toys and TV shows that they loved as kids that they have built their whole existence around them. So if want to just remake Star Trek until the end of time, they couldn't be happier. And another geek trait is "re-imagining" things without actually changing them. Everyone loves the idea of a new take on Batman, but if you dare change a single thing about his costume they will attack you with torches. Hence why we have a "new" Friday the 13th where Jason looks exactly the same and kills people in the exact same location with the exact same weapons. It's a "new" take without bruising geeks' precious nostalgia. It's all they have, really.