Resistance is futile. You may have steeled yourself against Babylon, the 2000 hit that rescued David Gray from a lifetime of crooning in coffeehouses, but his unapologetically moody sixth album, A New Day at Midnight, will suck you in. We know: His formula of slipping smooth beats under his lilting folk-pop is predictable, but it doesnt matter. Whether its the mournful trumpet that opens Freedom or just his cosmically bummed-out voice, one way or another Gray is determined to win you over.