Whether you call it emo, post-punk, or music for pimple-poppers, dont dismiss the Get Up Kids earnest, lovelorn rock just yet. Whether bashing through a 90-second power-pop sprint like Man of Conviction or dragging the Cure through the Midwest on Sympathy, the Kansas City quintet gets a lot of things right on its new record. In fact, Guilt Shows first half is nearly flawless: a flurry of unshakable guitar riffs and E Streetworthy piano banging highlighted by singer Matthew Pryors strained, passionate vocals. The tunes drag a little on the second half, but unlike many of their soppy emo compadres, the Kids rarely let their heartbreak drown their flair. Their woe is me is at least consistently delivered amid a hook-filled frenzy of guitars, making Guilt Show not guilty of sucking.